Podcast

Tom Walker shares his songwriting story so far and the challenges of making his recent second album I AM. The popular singer-songwriter also reflects on the importance of striving to realise a creative vision, his time spent studying songwriting at university, and the influence of his music-loving father.

Inhaler’s Elijah Hewson and Josh Jenkinson discuss the writing of their new record Open Wide and how the band collaborates creatively. Among other insights into their process, the Dublin-born musicians share their thoughts on the importance of finishing songs, working with producer Kid Harpoon, and why they’re always thinking ‘hook, hook, hook’.

Franz Ferdinand’s Alex Kapranos and Julian Corrie talk about the writing of the band’s sixth studio album The Human Fear and their creative process. During the conversation, the pair explore themes of fear and spontaneity in their work, not being too precious about ideas, and why songs are like friends.

Bastille’s Dan Smith talks with Sodajerker about his new concept album, Ampersand. The conversation delves into the fascinating stories of historical figures and fictional characters that influenced his writing, as well as the personal connections that shape his music.

U2’s The Edge joins Simon and Brian to discuss the 20th anniversary reissue of the band’s acclaimed record How to Dismantle an Atomic Bomb, and its new ‘shadow album’ How to Re-Assemble an Atomic Bomb. The celebrated guitarist and sonic architect offers deep insights into the band’s dynamic and their dedication to collaboration.

Graham Coxon and Rose Elinor Dougall of The WAEVE delve into the creation of their sophomore album City Lights, a listening experience filled with sharp musical edges and a deep sense of urgency. The conversation explores their collaboration with producer James Ford, and the thematic undercurrents of their work, from the city’s dark underbelly to the intimacy of family life.

Boy George, the charismatic frontman of Culture Club, meets Simon and Brian in London to discuss his prolific songwriting and creative life. In this vibrant conversation, George talks about his recent collaborations with Peter Murphy and Dark Globe, his diverse influences, and the creative freedom he’s found in reimagining his classic hits.

Versatile singer-songwriter and producer Joan As Police Woman talks about her latest record Lemons, Limes and Orchids. During the conversation, Joan shares practical advice about taking writing workshops, creating artificial deadlines, and penning songs while riding her bicycle. She also reflects on why mentorship holds a special place in her life, and the influence of artists like Rufus Wainwright and Damon Albarn, whose work inspires her to push creative boundaries.

Snow Patrol’s Gary Lightbody and Johnny McDaid discuss the creative process behind the band’s new record The Forest is the Path, which ventures into new territories musically and lyrically. The pair talk about the influence of literary greats like Seamus Heaney, their collaboration with producer Fraser T. Smith, and the liberating experience of writing music without constraints.

Nada Surf’s Matthew Caws talks about the band’s latest record Moon Mirror and his songwriting process through the years. The singer and guitarist shares his routine of writing before his inner critic wakes up, how recording ‘fictionalises’ an idea, the importance of small moments of encouragement and validation, and the musical epiphanies he experienced growing up in New York.

Kate Nash discusses her latest record 9 Sad Symphonies and the challenges of being a creative artist in the contemporary music industries. Among other insights, the singer-songwriter and actress talks about the importance of mental health, the power of meaningful collaboration, and her unlikely friendship with actor Danny Dyer.

Will Young tells Simon and Brian about the writing of his new record Light It Up and the various collaborations that made it possible. In this lively conversation, the singer-songwriter, actor and writer reveals that he doesn’t always need to have an emotional connection to his material in order to do justice to it, and explains why it’s essential to enjoy the creative process.